Saturday, September 22, 2012

Thursday, September 20, 2012

Zhe the Gender neutral term


 http://en.wikipedia.org/wiki/Gender-neutral_pronoun

Concept

Music influences art. Here are some of my favorite conceptual artists.


Quadron- Buster Keaton

Sia "Soon We''l Be Found"


Bjork "Wanderlust"

Santigold "Big Mouth"

Little Dragon "Brush the Heat"

Sense a/the common themes?

Week 1 -Thoughts and Reflections






6:42 am

It's hard to access when it is appropriate to use a passive or active voice. Do you want close assimilation with your art piece and subject matter, or would you rather done an impassive culturally relative one (that leaves not much to risk, no public examination). I find myself wanting to do that sometimes as an artist setting out to have a certain perspective but a neutral identity, and ended up doing the opposite. Yet the audience can make a connection irregeardless of self- or societal reference as long as it’s detailing understood contexts of a certain culture. Although worldwide there are similar understandings of "environment”, even if interpretation varies. Moral of the story is that anyone can understand and even connect with a clearly communicated and socially relevant perspective. Anything else outside of that is well, abstract ideals.
"Morning" Yusuke Nagano

"Morning" Ysuke Nagano  




"Happy Ending" Yusuke Nagano

Yusuke Nagano incoporates mixed contexts in the forms of symbols and creates a mixed theme piece, my current endeavor .

Keith Haring

"Unititled" 1982, Keith Haring

"Untitled" 1982 , Keith Haring
I dont know why I didn't think of Keith Haring until now, as far as my interest in patterns, abstract thought, and the use of symbols. Many of his "man forms" remind me of the European sign figures that gained much of my interest, during my study abroad trip.

Tuesday, September 18, 2012




"Pieta"

"Black Soap

"Afloat"
          Last semester ( Spring 2012) was my first exposure to printmaking.  I enjoyed it and found it  interesting that I could use printmaking to communicate the same themes that i carried over from ceramics--->painting. The product was extremely different though , my handling of the mediums took me to a extremely tedious perfectionist place( which happened alot in painting), where i would rework or redo a piece until i was satisfied. There are pros and cons to that but it wasn't until my final print "Afloat" that i just allowed the piece to communicate to me when it was done or how it should be worked. The themes in this class were a crossing of contexts from different realms of art, era, and understandings. My "Pieta" was a reference to the love of a mother and how the emotions communicated in Pieta are not that much different from the emotions arising after the birth of a child. The image of the woman is my really close friend, and as this is her first child i wanted to commemorate the experience and growth(that arises during motherhood). While also bringing to light the instinct of love and caring and how naturally it occurs.

"Black Soap" was my first print, at the time I was completing portraits in Oil Painting class and wanted to cross reference one of my images. I chose a distorted smashed and pulled image of my face and created a story of self-examination and critique. Referencing black soap as my under-layer as i cut and peel away my culturally known facade. The reality of me is as dark, natural, and clean as "Black Soap"

"Afloat" is an image of my sister/friend Ochuole , its of an memory. Ochuole does natural hair and was actually the person to convince me , and later on help me start my dreads ( which are now a very well known part of my identity). When we stayed together we had sessions of meditation with incense lit from within a smoke box( that had little holes to let out  the smoke). Instead of meditating i would watch the smoke which would place me in a mode of meditation. Smoke forms are so calming ,playful, and sensual which is why they intrigue me. I wanted to use there forms in a sketch so while Ochuole was doing a friends dreads i drew her and juxtaposed smoke forms for dreads. 
 

Monday, September 17, 2012

Grice's Maxims( ideals of conversation and perspective)

Maxims of Quality:
  • Do not say what you believe to be false
  • Do not say that for which you lack adequate evidence
Maxim of Relevance
  • Be relevant with questions and answers
Maxim of Quantity: Make your contribution as informative as is required
  • Do not make your contribution more informative than is required
Maxim of Manner
  • Avoid obscurity of expression
  • avoid ambiguity , be brief, be orderly

Silly Job Interview- Monty Python

Sometimes you just can’t get it right, But you’ll eventually figure it out.